A behind-the-scenes look at the popular boy band, Backstreet Boys.
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The definitive photographic record of the 1984 Los Angeles Olympics, told “from the inside” through the lives of the participants, the words of David Perry, and the singing voice of Placido Domingo. From the opening to closing ceremonies, this unique style of storytelling shows a side of the Olympic Games not seen by television audiences.
In the autobiographical I AM NANCY, the focus is squarely on Heather Langenkamp and her unique experience playing Wes Craven’s legendary teen heroine Nancy Thompson. With tongue planted firmly in cheek, Heather asks the burning question: “Why Freddymania, and not Nancymania?” After personally experiencing the Freddy Krueger marketing craze, the rise of horror convention fandom and the phenomenon of eight Nightmare On Elm Street films, Heather reflects on the relevance of heroes in this modern age of monster lovers. Prepare to put yourself in Nancy’s shoes and think about Elm Street in a whole new way.
At the downbeat of the new millennium there was no bigger, darker, or more deeply influential hard rock band in the world than KoRn. But for lead guitarist Brian Head Welch, a dream come true was giving way to a raging nightmare of self-loathing and addiction. At the end of himself, he made an even harder decision than leaving KoRn. Told with intimate access to the family and band, this genre-bending documentary delivers unprecedented access to one of rock’s most unbelievable stories of restoration.
Everyone thinks of Santa Claus as a magical figure without flaws, but the men who keep his legend alive, real-bearded professional Santas, are nothing like the jolly ol’ Saint Nick we’ve all grown up knowing. In reality, the mall Santa in your cherished children’s photo has problems just like the rest of us. Even the jolliest of men fall victim to divorce, job loss, insecurity and even the occasional hangover. ‘I Am Santa Claus’ is a documentary that follows the lives of five real-bearded professional Santa Clauses as they anticipate and prepare the coming holiday season while showing them for who they actually are flawed, flesh and blood men who feel an overbearing responsibility to protect the integrity of the spotless, untarnished reputation of the “Red Suit.”
On January 1, 2014, recreational marijuana sales began in Colorado. With all eyes on ground zero of the green rush, The Denver Post became the first major media outlet to embrace it and appointed the world’s first marijuana editor. Legalization is not just an experiment for society, but a risk for the dying industry of newspapers to hedge its bets on the booming business of marijuana. Ricardo Baca sets out to report on history in the making with a team of straight-laced staff writers and fish out of water freelancers in tow for The Cannabist as it unfolds. Policy news, strain reviews, parenting advice and edible recipes are the new norm in the unprecedented world of pot journalism.