Quite by accident, a film director arrives in town a day early. With time to kill before his lecture, he stops by a restored palace and meets a fledgling artist. She’s never seen any of his films, but knows he’s famous. They talk, they go to her workshop to look at her paintings, and they have sushi and soju. More conversation follows, along with more drinks, and then an awkward get-together with friends where all sorts of secrets are revealed. All the while, they may or may not be falling for each other. Then, quite unexpectedly, we begin again, but now things appear somewhat different. An uncanny romantic comedy, RIGHT NOW, WRONG THEN is a deliciously intricate masterwork from filmmaker Hong Sangsoo.
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Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.
Marion is a woman who has learned to shield herself from her emotions. She rents an apartment to work undisturbed on her new book, but by some acoustic anomaly she can hear all that is said in the next apartment in which a psychiatrist holds his office. When she hears a young woman tell that she finds it harder and harder to bear her life, Marion starts to reflect on her own life. After a series of events she comes to understand how her unemotional attitude towards the people around her affected them and herself.
Lisbeth Salander and Mikael Blomkvist find themselves caught in a web of spies, cyber-criminals and corrupt government officials – both in Sweden and in the United States – whom are only known as The Spider Society.
One evening, Princess Sakura (Kyoko Hinami) is attacked by a man. At that time, the Princess could not see his face. and only sees a tattoo on his body. Because of that that night, Princess Sakura falls in love with the man. In order to find the man she gives up everything and gets the same identical tattoo. The princess then works as a prostitute. Meanwhile Gonsuke (Munetaka Aoki) is the man who attacked Princess Sakura. He also stole a scroll and, because of that, he is chased by assassins.
Frank is a man who thinks he has lost everything, until his house is destroyed by a tornado. Then when he goes to the insurance company, he’s told they won’t pay because the damage falls under the “Act of God” exclusion in his policy. With nothing left, and nothing left to lose, he decides to sue God himself for damages, naming representatives of the world’s religions as defendants in the suit. What starts as a ridiculous stunt, becomes a beautiful, funny, soulful odyssey in which he rediscovers that love itself… requires a leap of faith.
Bloed, Zweet en Tranen (Blood, Sweat and Tears) is a story about the life of Andre Hazes, a Dutch populair singer. This movie shows three crucial phases in the life of Hazes: his youth (60’s), his breakthrough (80’s) and the last year of his life (early ’00).
In 1992, on a small island in Hong Kong, a boy fell for Yan crazily searched for her by dozens of unbelievable means. Although every ‘Yan’ he met turned out to be someone else, they did bring life-changing influences to each other. 22 years later, when the story is finally unveiled, middle-aged Yan is deeply moved.
Elliot, a successful gynecologist, works at the same practice as his identical twin, Beverly. Elliot is attracted to many of his patients and has affairs with them. When he inevitably loses interest, he will give the woman over to Beverly, the meeker of the two, without the woman knowing the difference. Beverly falls hard for one of the patients, Claire, but when she inadvertently deceives him, he slips into a state of madness.