A group of New Yorkers caught up in their milieu converge at an underground salon infamous for its blend of art, music, politics, and carnality. The characters converge in a weekly Brooklyn social/artistic/sexual salon “Shortbus”, loosely inspired by various underground NYC gatherings that took place in the early 2000’s. Here, gay couple Jamie (P J DeBoy) and James (Paul Dawson) meet a young ex-model and aspiring singer Ceth (Jay Brannan).
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Luke’s exultance at being selected for The Skulls (a secret society bred within the walls of a prominent Ivy League Campus) is soon overshadowed when he realises that all is ‘not well in Wonderland’. For The Skulls is a breeding ground for the future powerful and elite. It’s not only a far cry from his working class background, but it also hallows its own deep and dark secrets.
For ten years, engineer Bill Markham has searched tirelessly for his son Tommy who disappeared from the edge of the Brazilian rainforest. Miraculously, he finds the boy living among the reclusive Amazon tribe who adopted him. And that’s when Bill’s adventure truly begins. For his son is now a grown tribesman who moves skillfully through this beautiful-but-dangerous terrain, fearful only of those who would exploit it. And as Bill attempts to “rescue” him from the savagery of the untamed jungle, Tommy challenges Bill’s idea of true civilization and his notions about who needs rescuing.
A pretty young girl falls for an enigmatic, shy man who sweeps her off her feet. She becomes pregnant but is not allowed to tell him. His advisers are adamant. Back home, they have set up a wedding with the daughter of an antagonistic family and marriage will put an end to the blood feud between them.
When struggling bookstore owner Mary and the bad boy of professional hockey, Adam, are teamed together to help facilitate an image makeover for the other, they soon realize that opposites attract and they find themselves unexpectedly frozen in love.
In a prison for the criminally insane, deranged anthropologist Ethan Powell is set to be examined by a bright young psychiatrist, Theo Caulder. Driven by ambition and a hunger for the truth, Caulder will eventually risk everything — even put his very life on the line — in a harrowing attempt to understand the bizarre actions of this madman.
Sam has the mental capacity of a 7-year-old. He has a daughter with a homeless woman who abandons them when they leave the hospital, leaving Sam to raise Lucy on his own. But as Lucy grows up, Sam’s limitations start to become a problem and the authorities take her away. Sam shames high-priced lawyer Rita into taking his case pro bono and in turn teaches her the value of love and family.
For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.